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Ol`ga was 06 december on Hairdresser

I was looking forward to meeting with one of the most respected and oldest theaters in Moscow. I really wanted to see Inga Oboldina in the play "Hairdresser" with my own eyes. I went almost to the actress. Specific. Specially picked up a ticket for Friday! Before your birthday! I BELIEVED very much and hoped for a wonderful prelude before her holiday. Hoping to see the sparkling actress play! Indeed, in all of his cinema works, this was exactly so. Ease of play, diversity, nice voice. And then came the long-awaited day. The last time I was at the Moscow Art Theater was about 8 years ago. And what did I see? The huge size, the vastness of the building inside are striking in their inactivity. Semi-repair condition of the upper floors. A dull, dying feeling from within. The audience (usually mixed in all theaters: from old to young) - here 98% of women are 65-80 years old. What is it? It is on the "Hairdresser" comes the age-related female audience ???? Was it a flash mob ?? I didn’t figure it out. In the entire huge hall counted 4 men. And then - the 3rd call. And the expectation of meeting the Beautiful. With Actress! Waiting for a costume action with decorations worthy of the Moscow Art Theater. And so ... The light went out ... and it began. A huge, empty scene (from the scenery), in the middle - a cardboard box (one), which was modified as a "lego". Okay, this could be experienced as an “idea." And then .... a question for the NEW leadership: are you serious ??? Is this a performance for the Moscow Art Theater? This April Fools Day is not a joke ??? If I went to the KVN and that would be a departure from the 1st round. This parody of the play - could be shown as a diploma probe before release. What is it??? The fact that the floor of the hall was cut off from boredom in the 10th minute is to say nothing. Instead of a pleasant (cinematic voice) Inga Oboldina all 1.5 hours of unpleasant for hearing ultrasonic sound of the voice. She didn’t leave just because she was waiting for the Miracle: that this terrible dream would finally turn into a REAL performance with a GAME of actors, and not a pantomime for 3rd grade students. Then I waited for an explanation ... that someone would go on stage and say: this is a joke. Premiere. This horror rolled over us. Not??? The end!!?? They turned on the light ..., applause ... and all began to go out dumb. To understand that I was not the only one who went crazy or believe that I have a bad taste .... "I went to the people." Adjacent to one group, then to another .. And overheard: what they say. Uffff. Thank God ... I did not lose my mind .... Everyone came out in the same shock and TOTAL misunderstanding: "what was that" ??????? Even in the trolley, people continued to say: “why is it so boring, not interesting !? A role that could be a benefit for the Actress. And suddenly it is so gray, one-sided, without colors .....” It would be unworthy to even put on prom in vocational school !!! I am ashamed of the THEATER.

Svetlana was 02 december on Hairdresser

Yesterday I attended the play. To say that I did not like it, to say nothing. The plot is simply banal. It is not clear what the director was planning, and what he wanted to say by that. NO WORDS.

Парикмахерша

Парикмахерша 12+

Purchased earlier: 12
Location:
Москва, Тверской б-р., 22
Duration:
02 h 00 min
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Story

A tragicomedy about an ordinary woman from an ordinary Russian hinterland and about the victim complex inherent in many of our compatriots. One of the Moscow Art Theater’s repertoire lines is a return to the most important texts of the “new drama” of the zero, which includes the “Hairdresser”. The play was rewritten by playwright Sergei Medvedev specifically for the Moscow Art Theater. Gorky, and the team Eduard Boyakov - Ruslan Malikov - Inga Oboldina gathered again to create a new production. The heroine of Inga Oboldina is a naive dreamer, living with illusions, fleeing into the imaginary world from the sad realities of life. Her ex-husband was infantile, and, even worse, a relevant artist. The client-caretaker is awkward and weird in courtship methods. Against this background, it does not seem strange that the main character turns out to be a “criminal by correspondence” of a criminal who is serving a sentence in places not so remote. The play raises both the burning topic of violence against women and the problem of masochistic sacrifice of Russian women. In this sense, the hairdresser performed by Oboldina is the heiress of the heroines of Pushkin, Tolstoy, Turgenev in their current manifestation. The events described in the play unfold against the backdrop of the impressive scenery of Polina Bakhtina.
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Ol`ga was 06 december

I was looking forward to meeting with one of the most respected and oldest theaters in Moscow. I really wanted to see Inga Oboldina in the play "Hairdresser" with my own eyes. I went almost to the actress. Specific. Specially picked up a ticket for Friday! Before your birthday! I BELIEVED very much and hoped for a wonderful prelude before her holiday. Hoping to see the sparkling actress play! Indeed, in all of his cinema works, this was exactly so. Ease of play, diversity, nice voice. And then came the long-awaited day. The last time I was at the Moscow Art Theater was about 8 years ago. And what did I see? The huge size, the vastness of the building inside are striking in their inactivity. Semi-repair condition of the upper floors. A dull, dying feeling from within. The audience (usually mixed in all theaters: from old to young) - here 98% of women are 65-80 years old. What is it? It is on the "Hairdresser" comes the age-related female audience ???? Was it a flash mob ?? I didn’t figure it out. In the entire huge hall counted 4 men. And then - the 3rd call. And the expectation of meeting the Beautiful. With Actress! Waiting for a costume action with decorations worthy of the Moscow Art Theater. And so ... The light went out ... and it began. A huge, empty scene (from the scenery), in the middle - a cardboard box (one), which was modified as a "lego". Okay, this could be experienced as an “idea." And then .... a question for the NEW leadership: are you serious ??? Is this a performance for the Moscow Art Theater? This April Fools Day is not a joke ??? If I went to the KVN and that would be a departure from the 1st round. This parody of the play - could be shown as a diploma probe before release. What is it??? The fact that the floor of the hall was cut off from boredom in the 10th minute is to say nothing. Instead of a pleasant (cinematic voice) Inga Oboldina all 1.5 hours of unpleasant for hearing ultrasonic sound of the voice. She didn’t leave just because she was waiting for the Miracle: that this terrible dream would finally turn into a REAL performance with a GAME of actors, and not a pantomime for 3rd grade students. Then I waited for an explanation ... that someone would go on stage and say: this is a joke. Premiere. This horror rolled over us. Not??? The end!!?? They turned on the light ..., applause ... and all began to go out dumb. To understand that I was not the only one who went crazy or believe that I have a bad taste .... "I went to the people." Adjacent to one group, then to another .. And overheard: what they say. Uffff. Thank God ... I did not lose my mind .... Everyone came out in the same shock and TOTAL misunderstanding: "what was that" ??????? Even in the trolley, people continued to say: “why is it so boring, not interesting !? A role that could be a benefit for the Actress. And suddenly it is so gray, one-sided, without colors .....” It would be unworthy to even put on prom in vocational school !!! I am ashamed of the THEATER.

Svetlana was 02 december

Yesterday I attended the play. To say that I did not like it, to say nothing. The plot is simply banal. It is not clear what the director was planning, and what he wanted to say by that. NO WORDS.

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