Carnival Menippea on the works of N. In Gogol, about the search for the soul of a Russian person
To the sounds of the "Nevsky Prospekt" orchestra, in the carnival kaleidoscope of the play, the Gogol characters wiggle and curl like small demons. Pannochka with her mortal grip, mourning for the lost nose, the collegiate assessor Kovalev, sweet-tongued to nausea Manilov - a diverse scrap of carnival hell, brought to the point of absurdity. In this devilry of dead souls and Chichikov with his longed-for dream of property and capital, with a desire for mediocre prosperity, moderate satiety and "calm contentment." A modern man from "nothing" makes himself a reputation.
But where to find the living soul? Or maybe in Selifan's cousin? An absurd, ridiculous peasant philosopher who hears the secret music of the Russian soul? In his words "Live in truth!"?
Carnival menippea - a genre that absorbs the high and the low. And in the performance of the farce and the search for truth, eccentricity, satire and all kinds of violations of generally accepted rules are in organic artistic unity.
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