“ Theme, well, not mine. But they play brilliantly. The heating of the relationship breaks through electricity.
Anna
was 10 june on Giovanni's Room
“ Everything was ... Cool))
Elena
was 10 june on Giovanni's Room
“ And this is the present - very short, limited by the timing of the action - happiness - to see how people are inspired, talented, fully giving themselves to work. For the umpteenth time they turn my soul around. And I'll come again and again to see, feel, fall in love, die, really forget to take a breath, exhale ... blink tears or leave them streams to flow down to the chin, to drip on the dress ... "Giovanni's Room" is a story about love. One man to another. Only so, he loves one, the other loves his reflection in the mirror. It's amazing how carefully the director treats ... the spectators? Not a second of vulgarity is only our sense of their passion, only our understanding of Giovanni's pain. Ideas for the design of the stage (theater) and scenes (relations) are unexpected - and unexpectedly accurate. The duet of Leushin and Matoshin (Woland and Dracula) is incomparable! True, Leushin still in all the performances a little Woland;) But Mathoshin is a real Giovanni. I'm even a little in love, perhaps. And what he does on the pole! - this must be seen. In general, all this - it is necessary to see, hear and feel. As the sweat drips from the body of the genius dancer Giovanni, as the trail of his wet back is left on the plank floor, Hella's voice breaks and trembles with pain, as David falls to his knees in impotent despair - unable to change anything. When the tragedy rises between the heroes, real tears shine in their eyes. Because it's impossible to play this way, if you do not live a small life inside each play.
Paris nightclub. The striptease dances in the labyrinth of lattices.
Would not crush the cute guy this narrow iron cage ...
Can a young writer David, who recently came to France from the United States, return to his beloved girl Helle?
Was he so carried away by the young dancer Giovanni, with whom he is connected not by a tender feeling, but by an all-consuming passion?
David spends a lot of time in Giovanni's strange room, where the windows are covered with paint.
The birth of a sincere feeling between David and Giovanni is brilliantly conveyed by means of choreography. Their dance is like a game, desperate and unrestrained, the plastic is graceful and precise.
There are a lot of dances in the performance, which perfectly convey the image of the nocturnal dangerous Paris.
The capital of vice is easily involved in its networks of young people, who aspire to easy money and fleeting connections, to bright emotions and irresponsible relations.
It seems that not only love, but death is very close to the heroes.
And only the appearance of the white-winged guardian angel gives hope for rescuing the rebels from all sorrows and adversities.
“
And this is the present - very short, limited by the timing of the action - happiness - to see how people are inspired, talented, fully giving themselves to work. For the umpteenth time they turn my soul around. And I'll come again and again to see, feel, fall in love, die, really forget to take a breath, exhale ... blink tears or leave them streams to flow down to the chin, to drip on the dress ... "Giovanni's Room" is a story about love. One man to another. Only so, he loves one, the other loves his reflection in the mirror. It's amazing how carefully the director treats ... the spectators? Not a second of vulgarity is only our sense of their passion, only our understanding of Giovanni's pain. Ideas for the design of the stage (theater) and scenes (relations) are unexpected - and unexpectedly accurate. The duet of Leushin and Matoshin (Woland and Dracula) is incomparable! True, Leushin still in all the performances a little Woland;) But Mathoshin is a real Giovanni. I'm even a little in love, perhaps. And what he does on the pole! - this must be seen. In general, all this - it is necessary to see, hear and feel. As the sweat drips from the body of the genius dancer Giovanni, as the trail of his wet back is left on the plank floor, Hella's voice breaks and trembles with pain, as David falls to his knees in impotent despair - unable to change anything. When the tragedy rises between the heroes, real tears shine in their eyes. Because it's impossible to play this way, if you do not live a small life inside each play.
“ Theme, well, not mine. But they play brilliantly. The heating of the relationship breaks through electricity.
“ Everything was ... Cool))
“ And this is the present - very short, limited by the timing of the action - happiness - to see how people are inspired, talented, fully giving themselves to work. For the umpteenth time they turn my soul around. And I'll come again and again to see, feel, fall in love, die, really forget to take a breath, exhale ... blink tears or leave them streams to flow down to the chin, to drip on the dress ... "Giovanni's Room" is a story about love. One man to another. Only so, he loves one, the other loves his reflection in the mirror. It's amazing how carefully the director treats ... the spectators? Not a second of vulgarity is only our sense of their passion, only our understanding of Giovanni's pain. Ideas for the design of the stage (theater) and scenes (relations) are unexpected - and unexpectedly accurate. The duet of Leushin and Matoshin (Woland and Dracula) is incomparable! True, Leushin still in all the performances a little Woland;) But Mathoshin is a real Giovanni. I'm even a little in love, perhaps. And what he does on the pole! - this must be seen. In general, all this - it is necessary to see, hear and feel. As the sweat drips from the body of the genius dancer Giovanni, as the trail of his wet back is left on the plank floor, Hella's voice breaks and trembles with pain, as David falls to his knees in impotent despair - unable to change anything. When the tragedy rises between the heroes, real tears shine in their eyes. Because it's impossible to play this way, if you do not live a small life inside each play.