Крылья из пепла18+
Roman Viktyuk chose for the production of the best tragedy of the English playwright of the XVII century, John Ford, one of the most outstanding contemporaries of Shakespeare. The director refused the original title of the play "It's a pity that she is a debauchee," since, as always, she puts into her production a very special, important meaning to him - the idea of the holiness of love and the fact that people who have kept in their soul The innocence of the child. Therefore, he called the play "Wings from the Ashes".
On the stage - the story of love and death of his brother and sister Giovanni and Anabella. Viktyuk put it as a dream about holy children, a dream of the sublime, of purification through suffering, of the union of loving souls in the heavens.
In the new work of the Master, she inspired the work of great artists - the artist Alexandra Exter, one of the founders of the Art Deco style, the director and playwright Antonen Artaud and his experiences, the minimalist composer John Cage. Thanks to the music, color and light scores of the performance, Viktyuk revived the theater space itself, making it moving and sounding.
Love, debauchery, revenge and death - a contemporary of Shakespeare John Ford filled his tragedy with all possible kinds of intrigues, from shocking to melodramatic.
Soranzo married Anabella, but found that she was ... pregnant! Who is the father of the child?
The truth may be much more unexpected than one would expect ...
What will Soranzo do? He feels insulted, humiliated, crushed, but not the only one in this story who cherishes dreams of revenge.
Is Anabella ready for death? Does she care about death? ..
There are many questions, but the answers are sad and terrible ... "What a pity that she is a slut" - so named his tragedy John Ford. In the Theater of Novel Viktyuk the production was called "Wings from the ashes" - the name is more romantic and poetic, but also sad: on wings from the ashes you will not take off. "What a pity".
“ The thin work of the master has extolled all expectations !!! Viktyuk achieved that light and sound began to play in the play one of the most important roles, getting on the same level with the artists, but at the same time not detracting from their skill, but emphasizing it, revealing it. A touching story of impossible love. Love, with the power of which we now do not meet. Love that makes you commit a crime. The stenographic design creates an image of the other world, the heavenly space. Music makes the body tremble. No wonder Roman Viktyuk spoke about the "Theater of Cruelty" Antonin Artaud, a great theater reformer of the 20th century.
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