For correct operation of our site you must enable cookies
Moscow
Saint-Petersburg
Dubna
Korolev
EN
Вы смотрели
How to get a ticket?
+7 (495) 648-38-38
Contact us
Register
Feedbacks from viewers
Nadegda was 25 may on LAST CHANCE

(There was a desire to leave in the intermission, which rarely happens to me (I do not have any complaints about the actor.) For the first time in the years of visiting the theater, I have not received any emotions. I do not imagine what fireworks of emotions the "enthusiastic" audience writes here The hall also did not burst with laughter, and many of my neighbors often looked in the phone (apparently from boredom in anticipation of the completion of this action).

Zinaida was 14 september on LAST CHANCE

How important it is sometimes to be frivolous with the most serious kind! Straight from this start the week! For whom in the workman, for whom on Monday vacation, instead of using, according to rumors, one of the last summer's warm evenings for outdoor recreation, the summer-colored public filled the hall of the TsDKJ in anticipation of the magic. "And where to happen a miracle, as in a theater ?!" - by the way, the main character exclaims (Nikita Tarasov), having undergone a natural human metamorphosis before our eyes. It's safe to say that 100% of spectators were not familiar with the play of Sam Bobrick. Intrigued by the name "Last Chance". A short annotation in advertising, as it later turned out, led a little to the side. So the viewer came to your favorite artists. And was not deceived! The contact was established swiftly, the reaction of the hall was immediate and immediate. Every 5 minutes applause or exclamations of "Bravo!" Broke out. Because what is happening is not easily extrapolated to real life situations, the conventionality of images is easily deciphered and reveals real dramatic collisions. At first glance, the predictable course of the play has been successfully expanded by a mirror-lined composition, which stimulates spectator excitement: the second act turns everything from head to foot and unwinds in the opposite direction exactly to where the usual melodrama should begin. But it will remain outside the performance, the task of the director (Roman Samghin) is different: it is only to identify the problem in the war of the sexes, and most importantly to awaken the viewer's reflections with hints, irony, and jokes. The rest is in the hands of the actors. Nikita Tarasov with Olesya Zheleznyak did not let the viewer's attention for a minute. Two and a half hours on the stage, in fact, only two people, and created by the contrast of the temperaments of the characters, from the stage beats an endless fountain of energy. Undoubtedly, it is thanks to the existing ensemble! From the first scene it becomes clear how organic the performers are in the image of the incompatibility of their characters, how much they are from different planets! The more interesting will be the reverse unwinding of the compressed spring. And watch it - an exciting activity! Having plentifully scattered the flowers of evil in the first act, Maira Witzer (Olesya Zheleznyak) fully enjoyed the result achieved and very soon came to the natural logical conclusion that an artificially molded marriage is even worse than loneliness. The circle was closed, and with the same passion with which Leonard Shank (Nikita Tarasov) was taken prisoner, she began to wall around herself a new wall. While the hero who overcame the first stage of shock from its pressure and serious physical suffering, first acquires the ability to manifest genuine human feelings, takes the initiative in its own hands and builds real relationships on the ruins of artificial ones. The sensual dance of Leonard (Nikita Tarasov) in the style of "You can leave your hat on!" In the second act is the apotheosis of his transformation from a slob to a real romantic hero. A "kiss in the diaphragm" in the finale of the play could open the third act. It was a pity to leave, but the laws of the genre require here to put an end to the eccentric comedy. And about a happy marriage of feminists and romance we must find a play, and Nikita Tarasov and Olesya Zheleznyak will arrange a new firework! Bravo to the creators and performers!

Zinaida was 14 september on LAST CHANCE

How important it is sometimes to be frivolous with the most serious kind! Straight from this start the week! For whom in the workman, for whom on Monday vacation, instead of using, according to rumors, one of the last summer's warm evenings for outdoor recreation, the summer-colored public filled the hall of the TsDKJ in anticipation of the magic. "And where to happen a miracle, as in a theater ?!" - by the way, the main character exclaims (Nikita Tarasov), having undergone a natural human metamorphosis before our eyes. It's safe to say that 100% of spectators were not familiar with the play of Sam Bobrick. Intrigued by the name "Last Chance". A short annotation in advertising, as it later turned out, led a little to the side. So the viewer came to your favorite artists. And was not deceived! The contact was established swiftly, the reaction of the hall was immediate and immediate. Every 5 minutes applause or exclamations of "Bravo!" Broke out. Because what is happening is not easily extrapolated to real life situations, the conventionality of images is easily deciphered and reveals real dramatic collisions. At first glance, the predictable course of the play has been successfully expanded by a mirror-lined composition, which stimulates spectator excitement: the second act turns everything from head to foot and unwinds in the opposite direction exactly to where the usual melodrama should begin. But it will remain outside the performance, the task of the director (Roman Samghin) is different: it is only to identify the problem in the war of the sexes, and most importantly to awaken the viewer's reflections with hints, irony, and jokes. The rest is in the hands of the actors. Nikita Tarasov with Olesya Zheleznyak did not let the viewer's attention for a minute. Two and a half hours on the stage, in fact, only two people, and created by the contrast of the temperaments of the characters, from the stage beats an endless fountain of energy. Undoubtedly, it is thanks to the existing ensemble! From the first scene it becomes clear how organic the performers are in the image of the incompatibility of their characters, how much they are from different planets! The more interesting will be the reverse unwinding of the compressed spring. And watch it - an exciting activity! Having plentifully scattered the flowers of evil in the first act, Maira Witzer (Olesya Zheleznyak) fully enjoyed the result achieved and very soon came to the natural logical conclusion that an artificially molded marriage is even worse than loneliness. The circle was closed, and with the same passion with which Leonard Shank (Nikita Tarasov) was taken prisoner, she began to wall around herself a new wall. While the hero who overcame the first stage of shock from its pressure and serious physical suffering, first acquires the ability to manifest genuine human feelings, takes the initiative in its own hands and builds real relationships on the ruins of artificial ones. The sensual dance of Leonard (Nikita Tarasov) in the style of "You can leave your hat on!" In the second act is the apotheosis of his transformation from a slob to a real romantic hero. A "kiss in the diaphragm" in the finale of the play could open the third act. It was a pity to leave, but the laws of the genre require here to put an end to the eccentric comedy. And about a happy marriage of feminists and romance we must find a play, and Nikita Tarasov and Olesya Zheleznyak will arrange a new firework! Bravo to the creators and performers! Follow the advertisement in September and October!

Последний Шанс

Последний Шанс12+

Purchased earlier: 250
Location:
Москва, Земляной Вал ул., 76/21
Duration:
02 h 30 min
close

Photos

Story

Men and women are beings from different planets. And if one of them is a timid, notorious bachelor, and the other is mentally unbalanced, a lady "bumped" by psychoanalysis and feminism, who is trying to find a pair, trying to find a way out of their meeting? The American producer, playwright and screenwriter Sam Bobrick created from this a comedy, full of absurd situations, grotesque scenes and, at the same time, telling about the transformation of the characters and desires of the main characters. Mira Vitzer wants to get married. She is under forty, and there is not much chance. Leonard Shank does not seem to want to marry, seems to understand what is needed. Indecision is his main feature. But Myra - a continuous head. And to achieve the goal, all means are good. But ... once the goal is achieved, the roles change. It turns out that Leonard likes family life, whereas Mayre is the process of searching. Cast - Olesya Zheleznyak, Nikita Tarasov / Andrey Leonov, Olga Tumaykina, Olga Demidova Director - Roman Samghin Artist - Juliana Laikova Translation - Victor Weber Duration: 2 hours 30 minutes (with intermission) 12+
Read more

FeedBacks

Nadegda was 25 may

(There was a desire to leave in the intermission, which rarely happens to me (I do not have any complaints about the actor.) For the first time in the years of visiting the theater, I have not received any emotions. I do not imagine what fireworks of emotions the "enthusiastic" audience writes here The hall also did not burst with laughter, and many of my neighbors often looked in the phone (apparently from boredom in anticipation of the completion of this action).

Zinaida was 14 september

How important it is sometimes to be frivolous with the most serious kind! Straight from this start the week! For whom in the workman, for whom on Monday vacation, instead of using, according to rumors, one of the last summer's warm evenings for outdoor recreation, the summer-colored public filled the hall of the TsDKJ in anticipation of the magic. "And where to happen a miracle, as in a theater ?!" - by the way, the main character exclaims (Nikita Tarasov), having undergone a natural human metamorphosis before our eyes. It's safe to say that 100% of spectators were not familiar with the play of Sam Bobrick. Intrigued by the name "Last Chance". A short annotation in advertising, as it later turned out, led a little to the side. So the viewer came to your favorite artists. And was not deceived! The contact was established swiftly, the reaction of the hall was immediate and immediate. Every 5 minutes applause or exclamations of "Bravo!" Broke out. Because what is happening is not easily extrapolated to real life situations, the conventionality of images is easily deciphered and reveals real dramatic collisions. At first glance, the predictable course of the play has been successfully expanded by a mirror-lined composition, which stimulates spectator excitement: the second act turns everything from head to foot and unwinds in the opposite direction exactly to where the usual melodrama should begin. But it will remain outside the performance, the task of the director (Roman Samghin) is different: it is only to identify the problem in the war of the sexes, and most importantly to awaken the viewer's reflections with hints, irony, and jokes. The rest is in the hands of the actors. Nikita Tarasov with Olesya Zheleznyak did not let the viewer's attention for a minute. Two and a half hours on the stage, in fact, only two people, and created by the contrast of the temperaments of the characters, from the stage beats an endless fountain of energy. Undoubtedly, it is thanks to the existing ensemble! From the first scene it becomes clear how organic the performers are in the image of the incompatibility of their characters, how much they are from different planets! The more interesting will be the reverse unwinding of the compressed spring. And watch it - an exciting activity! Having plentifully scattered the flowers of evil in the first act, Maira Witzer (Olesya Zheleznyak) fully enjoyed the result achieved and very soon came to the natural logical conclusion that an artificially molded marriage is even worse than loneliness. The circle was closed, and with the same passion with which Leonard Shank (Nikita Tarasov) was taken prisoner, she began to wall around herself a new wall. While the hero who overcame the first stage of shock from its pressure and serious physical suffering, first acquires the ability to manifest genuine human feelings, takes the initiative in its own hands and builds real relationships on the ruins of artificial ones. The sensual dance of Leonard (Nikita Tarasov) in the style of "You can leave your hat on!" In the second act is the apotheosis of his transformation from a slob to a real romantic hero. A "kiss in the diaphragm" in the finale of the play could open the third act. It was a pity to leave, but the laws of the genre require here to put an end to the eccentric comedy. And about a happy marriage of feminists and romance we must find a play, and Nikita Tarasov and Olesya Zheleznyak will arrange a new firework! Bravo to the creators and performers!

Zinaida was 14 september

How important it is sometimes to be frivolous with the most serious kind! Straight from this start the week! For whom in the workman, for whom on Monday vacation, instead of using, according to rumors, one of the last summer's warm evenings for outdoor recreation, the summer-colored public filled the hall of the TsDKJ in anticipation of the magic. "And where to happen a miracle, as in a theater ?!" - by the way, the main character exclaims (Nikita Tarasov), having undergone a natural human metamorphosis before our eyes. It's safe to say that 100% of spectators were not familiar with the play of Sam Bobrick. Intrigued by the name "Last Chance". A short annotation in advertising, as it later turned out, led a little to the side. So the viewer came to your favorite artists. And was not deceived! The contact was established swiftly, the reaction of the hall was immediate and immediate. Every 5 minutes applause or exclamations of "Bravo!" Broke out. Because what is happening is not easily extrapolated to real life situations, the conventionality of images is easily deciphered and reveals real dramatic collisions. At first glance, the predictable course of the play has been successfully expanded by a mirror-lined composition, which stimulates spectator excitement: the second act turns everything from head to foot and unwinds in the opposite direction exactly to where the usual melodrama should begin. But it will remain outside the performance, the task of the director (Roman Samghin) is different: it is only to identify the problem in the war of the sexes, and most importantly to awaken the viewer's reflections with hints, irony, and jokes. The rest is in the hands of the actors. Nikita Tarasov with Olesya Zheleznyak did not let the viewer's attention for a minute. Two and a half hours on the stage, in fact, only two people, and created by the contrast of the temperaments of the characters, from the stage beats an endless fountain of energy. Undoubtedly, it is thanks to the existing ensemble! From the first scene it becomes clear how organic the performers are in the image of the incompatibility of their characters, how much they are from different planets! The more interesting will be the reverse unwinding of the compressed spring. And watch it - an exciting activity! Having plentifully scattered the flowers of evil in the first act, Maira Witzer (Olesya Zheleznyak) fully enjoyed the result achieved and very soon came to the natural logical conclusion that an artificially molded marriage is even worse than loneliness. The circle was closed, and with the same passion with which Leonard Shank (Nikita Tarasov) was taken prisoner, she began to wall around herself a new wall. While the hero who overcame the first stage of shock from its pressure and serious physical suffering, first acquires the ability to manifest genuine human feelings, takes the initiative in its own hands and builds real relationships on the ruins of artificial ones. The sensual dance of Leonard (Nikita Tarasov) in the style of "You can leave your hat on!" In the second act is the apotheosis of his transformation from a slob to a real romantic hero. A "kiss in the diaphragm" in the finale of the play could open the third act. It was a pity to leave, but the laws of the genre require here to put an end to the eccentric comedy. And about a happy marriage of feminists and romance we must find a play, and Nikita Tarasov and Olesya Zheleznyak will arrange a new firework! Bravo to the creators and performers! Follow the advertisement in September and October!

Give feedBack

Tickets

No tickets 09 jule tue 19:00

tickets for other dates

Buy List 20 august tue 19:00
Buy List 16 september mon 19:00
Buy List 08 october tue 19:00

Invite friends

Related events

Based on thousands of feedbacks, Teatronet defined events that are "close in spirit to the times and tastes"

by the way!!

According to statistics and audience who have bought a ticket for«Последний Шанс», we recommend to see