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Natal`ya was 13 may on Prince Igor

After being in Rigoletto with my husband in December, I was looking forward to the opportunity to go to this theater again. Chosen opera Prince Igor, (May 7, 2019) I liked the female voices in the choir, the final song in the final. I liked the voice of the performer Prince Vladimir Galitsky. Igor and Khan drowned out the orchestra and chorus, I think that this should not be so. At first, Yaroslavna didn’t pull out long-lasting notes, she couldn’t melt, she cried well, but not sincerely. I didn’t take it for my soul, although I liked the idea with women in the background and the projection of flying clouds. Polovtsian dances quite disappointed, it was a march on the dances of primitive tribes around the fire. And the brass was pretty much knocked out by a sharp sound from the general musical canvas. Maybe my expectations were too high, but in my opinion at 4 with a minus setting. The composition of the artists is different, perhaps it was not the best.

Elena was 09 january on Prince Igor

Awesome staging! Music and voices fascinate, costumes and scenery - do not take your eyes off. Thanks to the theater troupe for the holiday of the Russian soul!

Ol`ga was 05 december on Prince Igor

Were at the play on December 1, 2017, very much liked the male voices, the magnificent choir, however, as always in the New Opera, good suits. But! The specific interpretation of the opera by the director seems to be controversial: instead of an optimistic ending, logical for the "heroic" opera of Borodin, you get anguish and hopelessness. Very primitive scenography and choreography of the opera, which is why the perception of beautiful music, including the famous Polovtsian dances, suffers!

Князь Игорь

Князь Игорь12+

Purchased earlier: 1701
Location:
127006, Москва, Каретный Ряд ул., 3/2
Duration:
03 h 10 min
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Review

"No sleep, no rest to the exhausted soul."

From the glorious Russian city of Putivl, Prince Igor and his son Vladimir were going to march on the Polovtsians.

His beloved wife Yaroslavna is weeping bitterly, but she can not keep her husband. She anticipates misfortune.

In the meantime, her own brother, a traitor, is plotting to annex Putivl to his lands as soon as Prince Igor goes on a campaign.

In the battle, the army of Prince Igor fails, and he and his son are taken prisoner. Vladimir falls in love with the beautiful daughter of the Polovtsian khan and does not want to run home with his father.

Next to his beloved Vladimir rejoices in incendiary Polovtsian dances.

The Polovtsian khan is ready to give his captive life, if he promises he will never oppose him. But Prince Igor can not agree to this. He will never be a traitor! His duty is to fight for his country.

Prince Igor manages to escape from captivity and return home, where she is waiting for Yaroslavna.

"Fly away on the wings of the wind to your native land, our native song!"

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FeedBacks

Natal`ya was 13 may

After being in Rigoletto with my husband in December, I was looking forward to the opportunity to go to this theater again. Chosen opera Prince Igor, (May 7, 2019) I liked the female voices in the choir, the final song in the final. I liked the voice of the performer Prince Vladimir Galitsky. Igor and Khan drowned out the orchestra and chorus, I think that this should not be so. At first, Yaroslavna didn’t pull out long-lasting notes, she couldn’t melt, she cried well, but not sincerely. I didn’t take it for my soul, although I liked the idea with women in the background and the projection of flying clouds. Polovtsian dances quite disappointed, it was a march on the dances of primitive tribes around the fire. And the brass was pretty much knocked out by a sharp sound from the general musical canvas. Maybe my expectations were too high, but in my opinion at 4 with a minus setting. The composition of the artists is different, perhaps it was not the best.

Elena was 09 january

Awesome staging! Music and voices fascinate, costumes and scenery - do not take your eyes off. Thanks to the theater troupe for the holiday of the Russian soul!

Ol`ga was 05 december

Were at the play on December 1, 2017, very much liked the male voices, the magnificent choir, however, as always in the New Opera, good suits. But! The specific interpretation of the opera by the director seems to be controversial: instead of an optimistic ending, logical for the "heroic" opera of Borodin, you get anguish and hopelessness. Very primitive scenography and choreography of the opera, which is why the perception of beautiful music, including the famous Polovtsian dances, suffers!

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