“ I wish with all my heart that this performance will happen to you! He happened to me yesterday. The play in two acts. In two acts - two stories. The first - about two elderly men and women who met to fictitiously sign. 1978, the Soviet apartment of the engineer-designer. On the wall there is a poster on the conquest of the cosmos, on the table there are scarce Riga sprats "for a special occasion", at the table there is a "modern woman" and "a solid man" (the unrivaled roles of Yana Lemeshko and Alexei Nesterenko), and, Who found unpretentious happiness. The second story is a mystical call from the future, around which the whole plot is tied. I will not say anything else, except ... It was very pleasant to watch Anna Slavutina's wonderful reincarnation as an image of fifteen-year-old Nina from the distant year 1942. Exactly, subtly, frankly.
Ol`ga
was 26 september on Is there life on Mars?
“ The first part really liked, the second was not impressed, maybe because I read the story and waited for more? Plus there were completely uncomfortable chairs on the first row, apparently put an extra row.
Nadegda
was 11 april on Is there life on Mars?
“ Very impressed with the second part of the performance (after the intermission), perhaps. On the contract with the 1 st.
I wish with all my heart that this performance will happen to you! He happened to me yesterday. The play in two acts. In two acts - two stories. The first - about two elderly men and women who met to fictitiously sign. 1978, the Soviet apartment of the engineer-designer. On the wall there is a poster on the conquest of the cosmos, on the table there are scarce Riga sprats "for a special occasion", at the table there is a "modern woman" and "a solid man" (the unrivaled roles of Yana Lemeshko and Alexei Nesterenko), and, Who found unpretentious happiness. The second story is a mystical call from the future, around which the whole plot is tied. I will not say anything else, except ... It was very pleasant to watch Anna Slavutina's wonderful reincarnation as an image of fifteen-year-old Nina from the distant year 1942. Exactly, subtly, frankly.
According to the play by Vladimir Voinovich "Fictitious marriage" and based on the story of Kira Bulychev "Can I ask Nina?" The performance-diology combined the works of two cult writers of the end of the last century. Part I - one-act play by V. Voinovich "Fictitious marriage". Piquant and witty story of a man and a woman forced to enter into a fictitious marriage, and suddenly found a simple human happiness. II part - the story of Kira Bulychev "Can I ask Nina?" A fantastic story about the intricacies of time - a simple phone call sends the hero to another era and allows him to intervene in the long-past events. Director: E. Slavutin Cast: Otsebyakin: Alexey Nesterenko Nadia: Yana Lemeshko Vadim Nikolayevich: Alexey Nesterenko Nina: Anna Slavutina , Ekaterina Bessmertnaya Another Nina: Yana Lemeshko
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Review
Are you able to believe in a miracle?
The first is lyrical, and the second is a fantastic story from the life of an ordinary person who had to live in the USSR in the second half of the last century.
A middle-aged man and woman are planning to make a fictitious marriage. They discuss all the shortcomings and advantages of this decision, in the interim by eating sprats, which in those years were considered a delicacy.
They seriously talk about the behests of Lenin, discuss the possibility of life on other planets, dream of obtaining the author's certificate of the inventor.
Even in difficult years of queues and shortages, the main thing was everyday life with family worries and joys, and not a battle for the triumph of communism.
Will these two find their happiness?
The second story is about a random phone call of a forty-year-old man who lived in the seventies of the twentieth century. He managed, or rather, was lucky, to talk with a thirteen-year-old girl from the besieged Leningrad. Through the years, through the distance ...
“
I wish with all my heart that this performance will happen to you! He happened to me yesterday. The play in two acts. In two acts - two stories. The first - about two elderly men and women who met to fictitiously sign. 1978, the Soviet apartment of the engineer-designer. On the wall there is a poster on the conquest of the cosmos, on the table there are scarce Riga sprats "for a special occasion", at the table there is a "modern woman" and "a solid man" (the unrivaled roles of Yana Lemeshko and Alexei Nesterenko), and, Who found unpretentious happiness. The second story is a mystical call from the future, around which the whole plot is tied. I will not say anything else, except ... It was very pleasant to watch Anna Slavutina's wonderful reincarnation as an image of fifteen-year-old Nina from the distant year 1942. Exactly, subtly, frankly.
“
The first part really liked, the second was not impressed, maybe because I read the story and waited for more? Plus there were completely uncomfortable chairs on the first row, apparently put an extra row.
“ I wish with all my heart that this performance will happen to you! He happened to me yesterday. The play in two acts. In two acts - two stories. The first - about two elderly men and women who met to fictitiously sign. 1978, the Soviet apartment of the engineer-designer. On the wall there is a poster on the conquest of the cosmos, on the table there are scarce Riga sprats "for a special occasion", at the table there is a "modern woman" and "a solid man" (the unrivaled roles of Yana Lemeshko and Alexei Nesterenko), and, Who found unpretentious happiness. The second story is a mystical call from the future, around which the whole plot is tied. I will not say anything else, except ... It was very pleasant to watch Anna Slavutina's wonderful reincarnation as an image of fifteen-year-old Nina from the distant year 1942. Exactly, subtly, frankly.
“ The first part really liked, the second was not impressed, maybe because I read the story and waited for more? Plus there were completely uncomfortable chairs on the first row, apparently put an extra row.
“ Very impressed with the second part of the performance (after the intermission), perhaps. On the contract with the 1 st.