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Kseniya was 22 october on Romeo and Juliet

The performance is stunning, the original production, and the guys-actors are just great! We were together with friends, we all really liked it! With pleasure we will come to you again :-)

Sergey was 17 december on Romeo and Juliet

Somewhat unexpectedly, during the performance the main characters (Romeo and Juliet) changed. In general, the production was pleasant. Young actors can only be congratulated!

Mariya was 07 may on Romeo and Juliet

I really liked the production! The theater itself is very happy, it's not the first time I've come and always leave happy!

Ромео и Джульетта

Ромео и Джульетта12+

Purchased earlier: 114
Location:
127254, Москва, Руставели ул., 19
Duration:
01 h 10 min
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Story

Vyacheslav Spesivtsev is, perhaps, perhaps the most consistent rebel in the Russian theatrical field. The nonconformism of a well-known figure also manifested itself in this production. The performance is traditional in content and modern in form. Gloomy Verona is most like a night gathering of bikers with unrestrained revelry of passions. Fashionable motives in music for the performance also give it an actual accent. MET presents his version of "Romeo and Juliet" to an unsophisticated viewer, as well as an inveterate theater-goer. To the excitement accompanying this statement, MET walls are already used. An extra ticket is asked within a radius of the block around the theater. And the passages to the hall are stuffed with extra chairs and just sitting on the steps by spectators. This demand is justified by several factors. Firstly, Shakespeare's tragedy about young lovers has enjoyed immense popularity among young people for four hundred years, for at this age each love seems unique and unique (no matter how it may be). Secondly, along with professional artists, many of the key roles in the performance were performed by the students, who were rather bored by young spectators. Thirdly, this theatrical project is presented in a new interpretation in the spirit of the 21st century, saturated with modern rhythms and materials, and, of course, with new human relationships. Expectations of the audience are fully justified. Avant-garde direction, unusual scenography, suits, full of jeans, leather and metal, modern, very successful musical design and, finally, the inspired play of artists find understanding and a warm response in the hall. In the play, the stage asceticism of the studio theater is mixed with modern entourage. On an almost empty stage the actors dressed in modern costumes give a shakespearian word close-up. Modern dresses essentially shift the problems of the play today. The creators of the play will undoubtedly be able to touch some invisible nerve in the souls of modern Romeo and Juliet, which caused them a complex range of feelings: compassion, tenderness, irony, admiration and, God knows, more! The cold world of senseless enmity creates a fragile flower of feeling. The sad story of two young hearts, which from the first meeting began to beat in unison, is played out against the background of rigid, youthful, straightforward relations. Inspired impulses and street brawls, self-denial and murder, loss and suffering, humiliation and fear that have fallen on the fate of the two young people make them be strong, look for ways out, choose between well-being and love, with which death comes. The concentrated action and the intense inner life of the characters are displayed in disturbing and hurting, incendiary and lyrical melodies. In one work Shakespeare's story and musical eclecticism, represented by modern motifs, met. An ancient, well-known story is told in the language of today's youth, and music makes the world of feelings of Shakespearian heroes understandable and intimate. Perhaps this work was staged a record number of times, even if the backward Hollywood felt the topicality of this eternal plot. Some believe that the idea of ​​the play and its form are borrowed by the theater from Hollywood. These statements are based on a lack of information about the theater: our performance has been working for more than 25 years and therefore, of course, is primary. We even have specific suspicions about reverse plagiarism and a person is known (we will not name the names, just a "good man") who most likely brought the modern explication of Shakespeare's play to the West. But we are not in a claim - let them enjoy, we have enough ideas at all

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FeedBacks

Kseniya was 22 october

The performance is stunning, the original production, and the guys-actors are just great! We were together with friends, we all really liked it! With pleasure we will come to you again :-)

Sergey was 17 december

Somewhat unexpectedly, during the performance the main characters (Romeo and Juliet) changed. In general, the production was pleasant. Young actors can only be congratulated!

Mariya was 07 may

I really liked the production! The theater itself is very happy, it's not the first time I've come and always leave happy!

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