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Aleksandra was 27 december on HOUSE

Yesterday watched "House". Above all praise. The charm began when seating: The scene itself, we and the actors (some we did not guess) - in the chairs next to us. Favorite actors were, as always, sparkling and talented. Elena Sanayeva's voice struck me, Vladimir Kachan played his grandfather, despite the young sparks in his eyes. And most importantly, the meaning of the play: deep and ambiguous. We discussed it all evening. Is the wife right that supports the "crazy" idea of the husband, giving him a chance to be reborn, are the friends who are right to refuse the loan under various pretexts? Be sure to advise you to go to this performance. For myself, we decided to visit all the performances of the plays of Evgeny Grishkovets.

Ekaterina was 15 may on HOUSE

I watched "House" on Tsvetnoy Boulevard. My place was generally quite comfortable, almost everything was in sight. Except ... In addition to the main character's parents, who were played by my favorite "schoolchildren" Albert Filozov and Elena Sanayeva. They "sat" just behind my back, slightly sideways, I had to turn around. And I liked their scene most of all. But! The performance is unusual, they play very well, someone is just super good, which is just good. Yes, conversations, phone calls, there is development, there is intrigue, everything is ok. And the fact that the audience is so unusually seated spectators, is also great. Unusual and originality begins even before the start of the play, as you enter the hall and start looking for your chair. ShPP fellows that invent such unusual moves, so original. I like experiments. And the artists here are healthy and within these experiments quite interesting subjects. You come out or filled out of the theater, or at least thoughtful. And it's not so bad. So it was not in vain in the theater. :)

Ludmila was 01 february on HOUSE

We were three, 49, 27, 17 years old. It seemed that the end of the play was a bit damp. As if everything broke sharply and it was incomprehensible that the toli could only clap toes to continue, but otherwise it was good.

ДОМ

ДОМ16+

Purchased earlier: 95
Location:
Москва, Пресненский Вал ул., 27-29/1
Duration:
01 h 30 min
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FeedBacks

Aleksandra was 27 december

Yesterday watched "House". Above all praise. The charm began when seating: The scene itself, we and the actors (some we did not guess) - in the chairs next to us. Favorite actors were, as always, sparkling and talented. Elena Sanayeva's voice struck me, Vladimir Kachan played his grandfather, despite the young sparks in his eyes. And most importantly, the meaning of the play: deep and ambiguous. We discussed it all evening. Is the wife right that supports the "crazy" idea of the husband, giving him a chance to be reborn, are the friends who are right to refuse the loan under various pretexts? Be sure to advise you to go to this performance. For myself, we decided to visit all the performances of the plays of Evgeny Grishkovets.

Ekaterina was 15 may

I watched "House" on Tsvetnoy Boulevard. My place was generally quite comfortable, almost everything was in sight. Except ... In addition to the main character's parents, who were played by my favorite "schoolchildren" Albert Filozov and Elena Sanayeva. They "sat" just behind my back, slightly sideways, I had to turn around. And I liked their scene most of all. But! The performance is unusual, they play very well, someone is just super good, which is just good. Yes, conversations, phone calls, there is development, there is intrigue, everything is ok. And the fact that the audience is so unusually seated spectators, is also great. Unusual and originality begins even before the start of the play, as you enter the hall and start looking for your chair. ShPP fellows that invent such unusual moves, so original. I like experiments. And the artists here are healthy and within these experiments quite interesting subjects. You come out or filled out of the theater, or at least thoughtful. And it's not so bad. So it was not in vain in the theater. :)

Ludmila was 01 february

We were three, 49, 27, 17 years old. It seemed that the end of the play was a bit damp. As if everything broke sharply and it was incomprehensible that the toli could only clap toes to continue, but otherwise it was good.

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