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Uliya was 18 april on My poor Marat

I'll run ahead and say that the play DOSTOYNY go all !! The truth is gathered, because it will not rest for the head, but a pleasant thoughtfulness and at times a smile on his face, but through sorrow and tears. Now I will write about what I did not like. The first time was in this theater. Just say the building is conveniently located right by the metro, but it feels like they are there temporarily, not their own building. The hall is on the 4th floor, the hall in front of the auditorium is interestingly executed, but there is absolutely no buffet. People in the intermission (and the play was going on for over three hours) stood in line with a single apparatus with coffee, not of very good quality. My phone is out of order, so there are no outlets anywhere. Somehow everything is not arranged. The hall itself is small, but it does not spoil. There are some remnants of scenery of another performance or rubbish visible behind the grid. There is no curtain, and he would have been by the way, would have created a boundary of perception - in general, some kind of unconstitutionality. Now about the performance "My poor Marat" chose by responses. Well, the play itself. Arbuzov simply could not write a bad play! I thought all the war is a tax, everything is bad and everyone died at the end. It was wrong! Three hours and full of pleasure. And for several days now I am impressed by the game of young actors. Although honestly I will not tell the main character, somehow both the voice and the type are not the same, but I did not spoil the general impression. This would be A-Agyreevu, Akinshin and it would be better. But the two main characters are something. How nice it was to look at them, do not be honest! Actors who play organically fit in their characters. I do not remember what their name is, but thank you. Marat is like Menshikov, with the same subtle humor, sarcasm and such slightly arrogant submission of himself, Leonidik is his antipode. Transition to the presentation of his feelings and thoughts in the third person - "He thought he was loved" - "He has no one left but you". compels, worries, regrets .. The actor plays great. Do you know how difficult it is to convey humor to dignity, through pain, doom ?! So he succeeds, but most importantly, no matter how vulnerable he is at the most nudge moments, he always behaves like a real man, I'll tell you honestly both the heroes are some "correct real men" you dream about, although everyone there is at least one, but a big minus, but they fade in front of their virtues. I personally wanted to meet, like Lika, such rare men on their way. In general, you can write a lot, not enough space. Exciting from the very first second and holds all 3 hours of the performance. I was sitting in the 5th row, but it's better to sit down at 1, where each movement, facial expressions, emotions would be seen to the smallest detail. On the 5th row, we had to lean forward to see through the heads. You do not believe in any falsity, any finesse, you believe them unconditionally, but what kind of humor? !!! Awesome. "The hands of the foot means the groom!". Guys are real talents. With a minimum of scenery, I would like to have more organizers, well, at least add curtains to the window when the postwar years come, flower on the windowsill, watch with a pendulum or cuckoo, carpet on the floor well, just poor, the actors completely their game, emotional background pass atmosphere of war, blockade, famine. Separately I will say that the Music and the video series are chosen amazingly "Architect of my soul", "Breathe", "last summer when I was alive" it seems Arbenin or night Snipers. Waltz is certainly not the same, rather weak, something better known than those times. All three - Lika, Marat, Leonidik and touching, and funny, and ridiculous. The whole drama of these people is that they lived in a different time from the present: they are more human, more educated, intelligent and lyrical. The times were hard, fatal and not that now, but then people were PEOPLE. Real, without masks, are respect and love. I will definitely read this play and once again I'll go see the play. I will advise everyone. Although it seems to me that the younger generation will be incomprehensible at the age of 16, unless they were raised by grandmothers and grandfathers and on the literature of Vampilov, Shukshin, Okudzhava and so on

Petr was 23 june on My poor Marat

Was at the play on September 28, 2016. For a long time I did not get such pleasure from a qualitative and professional production. All actors do not play, but live the life of their heroes. Neither a gram of falsehood, full self-giving, magnificent reincarnations in age and emotions. And when such a virtuoso performance of actors is accompanied by no less qualitative direction and a deep life story, it remains only to thank all participants of the performance for the evening that they presented to the audience. THANK YOU VERY MUCH!

Мой бедный Марат

Мой бедный Марат12+

Purchased earlier: 58
Location:
Москва, Сухаревская М. пл., 10
Duration:
03 h 00 min
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Uliya was 18 april

I'll run ahead and say that the play DOSTOYNY go all !! The truth is gathered, because it will not rest for the head, but a pleasant thoughtfulness and at times a smile on his face, but through sorrow and tears. Now I will write about what I did not like. The first time was in this theater. Just say the building is conveniently located right by the metro, but it feels like they are there temporarily, not their own building. The hall is on the 4th floor, the hall in front of the auditorium is interestingly executed, but there is absolutely no buffet. People in the intermission (and the play was going on for over three hours) stood in line with a single apparatus with coffee, not of very good quality. My phone is out of order, so there are no outlets anywhere. Somehow everything is not arranged. The hall itself is small, but it does not spoil. There are some remnants of scenery of another performance or rubbish visible behind the grid. There is no curtain, and he would have been by the way, would have created a boundary of perception - in general, some kind of unconstitutionality. Now about the performance "My poor Marat" chose by responses. Well, the play itself. Arbuzov simply could not write a bad play! I thought all the war is a tax, everything is bad and everyone died at the end. It was wrong! Three hours and full of pleasure. And for several days now I am impressed by the game of young actors. Although honestly I will not tell the main character, somehow both the voice and the type are not the same, but I did not spoil the general impression. This would be A-Agyreevu, Akinshin and it would be better. But the two main characters are something. How nice it was to look at them, do not be honest! Actors who play organically fit in their characters. I do not remember what their name is, but thank you. Marat is like Menshikov, with the same subtle humor, sarcasm and such slightly arrogant submission of himself, Leonidik is his antipode. Transition to the presentation of his feelings and thoughts in the third person - "He thought he was loved" - "He has no one left but you". compels, worries, regrets .. The actor plays great. Do you know how difficult it is to convey humor to dignity, through pain, doom ?! So he succeeds, but most importantly, no matter how vulnerable he is at the most nudge moments, he always behaves like a real man, I'll tell you honestly both the heroes are some "correct real men" you dream about, although everyone there is at least one, but a big minus, but they fade in front of their virtues. I personally wanted to meet, like Lika, such rare men on their way. In general, you can write a lot, not enough space. Exciting from the very first second and holds all 3 hours of the performance. I was sitting in the 5th row, but it's better to sit down at 1, where each movement, facial expressions, emotions would be seen to the smallest detail. On the 5th row, we had to lean forward to see through the heads. You do not believe in any falsity, any finesse, you believe them unconditionally, but what kind of humor? !!! Awesome. "The hands of the foot means the groom!". Guys are real talents. With a minimum of scenery, I would like to have more organizers, well, at least add curtains to the window when the postwar years come, flower on the windowsill, watch with a pendulum or cuckoo, carpet on the floor well, just poor, the actors completely their game, emotional background pass atmosphere of war, blockade, famine. Separately I will say that the Music and the video series are chosen amazingly "Architect of my soul", "Breathe", "last summer when I was alive" it seems Arbenin or night Snipers. Waltz is certainly not the same, rather weak, something better known than those times. All three - Lika, Marat, Leonidik and touching, and funny, and ridiculous. The whole drama of these people is that they lived in a different time from the present: they are more human, more educated, intelligent and lyrical. The times were hard, fatal and not that now, but then people were PEOPLE. Real, without masks, are respect and love. I will definitely read this play and once again I'll go see the play. I will advise everyone. Although it seems to me that the younger generation will be incomprehensible at the age of 16, unless they were raised by grandmothers and grandfathers and on the literature of Vampilov, Shukshin, Okudzhava and so on

Petr was 23 june

Was at the play on September 28, 2016. For a long time I did not get such pleasure from a qualitative and professional production. All actors do not play, but live the life of their heroes. Neither a gram of falsehood, full self-giving, magnificent reincarnations in age and emotions. And when such a virtuoso performance of actors is accompanied by no less qualitative direction and a deep life story, it remains only to thank all participants of the performance for the evening that they presented to the audience. THANK YOU VERY MUCH!

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