“ Topical production! The director managed to show the overshooting concentration of all kinds of vices, without hope for enlightenment. This, most likely, is caused by a negative attitude towards the performance of some viewers. The production is interesting, exposing many of the baseness, and the monologues of the protagonist, as if summarizing every single scene, correct, accurately reflecting the modern picture: and that there are no guilty ones - all the right, and that the 14-year-old girl is not able to trust, and soc. networks, in which there is one lie ... There is something to speculate about, to ponder what to rethink. Thank you, conflicting feelings overwhelm ...
“ Thanks to the big ticket company for the strong impressions!
“ Were at the premiere of the performance on September 20. The performance did not like. I'm not a prude, but in this play there is a lot of mate, unjustified by anything, and some senseless cruelty. Almost after each scene, the main character (M. Averin) reads a monologue in which, in a more or less literary language, he explains what we have just seen. I do not agree that the play about life (he can, of course, about life, but only the beginning of "dashing nineties" and a single group of people). This performance reminded me of a mixture of Brecht's "Threepenny Opera" (the plot is partly taken) and the movie "Bloomers" by Balabanov (everything else is taken, but it's not funny at all). Many left without waiting for an intermission. Of course, the artists fellows, laid out to the fullest. I really liked Yuri Vorobyov and Svetlana Ryabova - thank you very much! (they watched the play to the end only thanks to them). Still pleased with live music and unusual organization of the space of the stage. In general, I do not envy those who buy a ticket for this performance by accident, wanting to spend a pleasant evening ...
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