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Ol`ga was 15 january on Violet of Montmartre

January 15, 2016 were at the presentation, a very warm and wonderful impression, beautiful voices, scenery, I recommend. Tickets take better in the center opposite the stage.

Valeriya was 03 june on Violet of Montmartre

We went on June 3, 2015 to the operetta of Viale Montmartre. I still listened to this operetta on the record as a child, and for me it was a kind of return to childhood for such beloved and native songs. The declarations are amazing, the atmosphere is recreated flawlessly, as if you are transported to the night Paris of past years. The only thing that seemed strange to me was the change in the lyrics, for example the famous "Carambolina" which once was brilliantly sung by Tatiana Shmyga has now received a new text of the couplets, and, in my opinion, much worse than before. The main actresses on the stage are measured by voices, forgetting sometimes about the viewer who came here to watch and listen to the story, therefore not all the nuances can be disassembled and understood. But summing up the grand total, I would say that the operetta is worthy, especially if you hear it for the first time and you have no temptation to compare.

Фиалка Монмартра

Фиалка Монмартра12+

Purchased earlier: 309
Location:
Москва, Дмитровка Б. ул., 6
Duration:
03 h 00 min
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FeedBacks

Ol`ga was 15 january

January 15, 2016 were at the presentation, a very warm and wonderful impression, beautiful voices, scenery, I recommend. Tickets take better in the center opposite the stage.

Valeriya was 03 june

We went on June 3, 2015 to the operetta of Viale Montmartre. I still listened to this operetta on the record as a child, and for me it was a kind of return to childhood for such beloved and native songs. The declarations are amazing, the atmosphere is recreated flawlessly, as if you are transported to the night Paris of past years. The only thing that seemed strange to me was the change in the lyrics, for example the famous "Carambolina" which once was brilliantly sung by Tatiana Shmyga has now received a new text of the couplets, and, in my opinion, much worse than before. The main actresses on the stage are measured by voices, forgetting sometimes about the viewer who came here to watch and listen to the story, therefore not all the nuances can be disassembled and understood. But summing up the grand total, I would say that the operetta is worthy, especially if you hear it for the first time and you have no temptation to compare.

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