“ The performance did not like. Good impressions only from Artem Bystrov - Lopakhin. There are no decorations for some reason. Apparently, the Moscow Art Theater named after Chekhov is difficult to put a table on the stage and draw trees from behind. All sort of jerky, as if they were already the same summer residents in this estate and are in a hurry to plant cartoons. Degrees were not enough, classic.
Aleksandr
was 02 december on The Cherry Orchard
“ After the first counterpoint of Lopakhin and Dunyasha, the immersion in the atmosphere of the play began, as in his youth. Greta Garbo of the New Russian Scene - Renata Litvinova was marvelously good, but maybe reflected from the fact that she is not like everyone else - she Ranevskaya in fact - from the tips of her fingernails to the tips of her hair and, I think, was embarrassed by this her eccentricity and exquisite mannerisms. Ranevskaya is a blonde! Nothing could be better! I liked the post-Soviet interpretation, which painfully reminded me of the fateful nineties. After the intermission, there was already absolute immersion, with my unclear attempts to get rid of the magic of the stage of the Moscow Art Theater! It is remembered in a snuffbox, Oleg Pavlovich Tabakov was sitting in the last row, on a special chair and only blinked after another portion of balm from the stage. We must go to the Tabakerka! In the summer, at the International Moscow Film Festival, I watched a terrific film (draft version) about Rudolfo Valentino Vladislav Kozlov. Producer Franco Nero asked the audience how we are? I could not formulate it then, But Rudolfo Valentino - Principipes in the primary, Latin meaning of this term and Kozlov managed to show it. In this sense, and Oleg Pavlovich Tabakov and Renata Litvinova - Princhips. We must do something about Greta Garbo in the theater, and in the movie with Renata Litvinova in the main role! For a long time I could not understand where these new names come from in the movies. Kolpakova, Andreeva, Kovaleva, Sexte, Glinka-Larina, Porechenkov, White, Dyuzhev ?! And they all do not serve - they are God in the Moscow Art Theater! Excellent, brilliant scenery in the play! Once stunned by the imaginative minimalism of the scenery in the Mayakovsky Theater! Now it's very simple, like all ingenious! I would like to see the "Steppe" in such scenery. I did not sit in the stalls for a long time, but now I sensed all his charm, but the 15th row! (The stunning makeup of Litvinova and Hermanova remained behind my freeze frame.) I will have to revise it, either from the box of the benoir, or from the fifth row of the orchestra! from the fifth row of the stalls I prefer to look at the legs of the beautiful actresses, not just their stunning eyes. "The interiors of the Theater were touched - the living classics: in photographs, walls, wooden panels, concentration on the action - without gilt stucco - the theater is public, the auditorium, the atmosphere - scrupulous listening and peering into the story! I'm waiting for a new appointment, and I wish everyone involved in the Moscow Art Theater Chekhov good health, love, happiness, joy, and using rules in all good deeds and endeavors!
Tat`yana
was 02 december on The Cherry Orchard
“ A great performance, great actors - what else is needed to make the show work? It's a pleasure to look at Renata Litvinov and understand that Ranevskaya was exactly this one-refined, refined. Yes, she did not think about the benefits, gave the last golden passing tramp, because she could not act in a different way, this mentality. They are all there, unrequited, "speaking too much." In this, probably, in Chekhov's opinion, the comic nature of the situation, that while some are in good spirits, others do business like Lopakhin. And the scenery is just right, a wonderful game with a curtain. If everything was as usual with the decorations, it would be boring, and so it is necessary to include a little bit of fantasy and enjoy the performance of the artists.
The performance did not like. Good impressions only from Artem Bystrov - Lopakhin. There are no decorations for some reason. Apparently, the Moscow Art Theater named after Chekhov is difficult to put a table on the stage and draw trees from behind. All sort of jerky, as if they were already the same summer residents in this estate and are in a hurry to plant cartoons. Degrees were not enough, classic.
It is possible that it is those who argue about the dominance of vulgarity that just show their vulgarity. Just look closely at them. No wonder that Chekhov called this play a comedy.
Why should Lubov Andreyevna Ranevskaya be taken seriously? A mannered, capricious and nervous girl-noblewoman. She does not think at all about the fate of her two daughters, her brother, her family. The estate, the house, the garden and the frustrated financial affairs are of little concern to her. All the hope for my aunt, who promised to send money.
And she is a stranger to her country. Only a vile, but immensely attractive Parisian lover is interested in her.
Yes, I feel sorry for her. Her son drowned. But her actions and statements do not cause respect.
New people come to replace the stylish, intelligent, but errant women who do not know how to farm. Merchant Yermolai Lopakhin intends to buy the ruined estate of Ranevskaya, cut down the cherry orchard and build in its place profitable summer cottages.
Do not think that the sufferings of a disappointed woman are immensely far from today's life. The story of love is always contemporary. Tragically, the lack of love behind the mask of hypocrisy.
“
The performance did not like. Good impressions only from Artem Bystrov - Lopakhin. There are no decorations for some reason. Apparently, the Moscow Art Theater named after Chekhov is difficult to put a table on the stage and draw trees from behind. All sort of jerky, as if they were already the same summer residents in this estate and are in a hurry to plant cartoons. Degrees were not enough, classic.
“
After the first counterpoint of Lopakhin and Dunyasha, the immersion in the atmosphere of the play began, as in his youth. Greta Garbo of the New Russian Scene - Renata Litvinova was marvelously good, but maybe reflected from the fact that she is not like everyone else - she Ranevskaya in fact - from the tips of her fingernails to the tips of her hair and, I think, was embarrassed by this her eccentricity and exquisite mannerisms. Ranevskaya is a blonde! Nothing could be better! I liked the post-Soviet interpretation, which painfully reminded me of the fateful nineties. After the intermission, there was already absolute immersion, with my unclear attempts to get rid of the magic of the stage of the Moscow Art Theater! It is remembered in a snuffbox, Oleg Pavlovich Tabakov was sitting in the last row, on a special chair and only blinked after another portion of balm from the stage. We must go to the Tabakerka! In the summer, at the International Moscow Film Festival, I watched a terrific film (draft version) about Rudolfo Valentino Vladislav Kozlov. Producer Franco Nero asked the audience how we are? I could not formulate it then, But Rudolfo Valentino - Principipes in the primary, Latin meaning of this term and Kozlov managed to show it. In this sense, and Oleg Pavlovich Tabakov and Renata Litvinova - Princhips. We must do something about Greta Garbo in the theater, and in the movie with Renata Litvinova in the main role! For a long time I could not understand where these new names come from in the movies. Kolpakova, Andreeva, Kovaleva, Sexte, Glinka-Larina, Porechenkov, White, Dyuzhev ?! And they all do not serve - they are God in the Moscow Art Theater! Excellent, brilliant scenery in the play! Once stunned by the imaginative minimalism of the scenery in the Mayakovsky Theater! Now it's very simple, like all ingenious! I would like to see the "Steppe" in such scenery. I did not sit in the stalls for a long time, but now I sensed all his charm, but the 15th row! (The stunning makeup of Litvinova and Hermanova remained behind my freeze frame.) I will have to revise it, either from the box of the benoir, or from the fifth row of the orchestra! from the fifth row of the stalls I prefer to look at the legs of the beautiful actresses, not just their stunning eyes. "The interiors of the Theater were touched - the living classics: in photographs, walls, wooden panels, concentration on the action - without gilt stucco - the theater is public, the auditorium, the atmosphere - scrupulous listening and peering into the story! I'm waiting for a new appointment, and I wish everyone involved in the Moscow Art Theater Chekhov good health, love, happiness, joy, and using rules in all good deeds and endeavors!
“
A great performance, great actors - what else is needed to make the show work? It's a pleasure to look at Renata Litvinov and understand that Ranevskaya was exactly this one-refined, refined. Yes, she did not think about the benefits, gave the last golden passing tramp, because she could not act in a different way, this mentality. They are all there, unrequited, "speaking too much." In this, probably, in Chekhov's opinion, the comic nature of the situation, that while some are in good spirits, others do business like Lopakhin. And the scenery is just right, a wonderful game with a curtain. If everything was as usual with the decorations, it would be boring, and so it is necessary to include a little bit of fantasy and enjoy the performance of the artists.
“ The performance did not like. Good impressions only from Artem Bystrov - Lopakhin. There are no decorations for some reason. Apparently, the Moscow Art Theater named after Chekhov is difficult to put a table on the stage and draw trees from behind. All sort of jerky, as if they were already the same summer residents in this estate and are in a hurry to plant cartoons. Degrees were not enough, classic.
“ After the first counterpoint of Lopakhin and Dunyasha, the immersion in the atmosphere of the play began, as in his youth. Greta Garbo of the New Russian Scene - Renata Litvinova was marvelously good, but maybe reflected from the fact that she is not like everyone else - she Ranevskaya in fact - from the tips of her fingernails to the tips of her hair and, I think, was embarrassed by this her eccentricity and exquisite mannerisms. Ranevskaya is a blonde! Nothing could be better! I liked the post-Soviet interpretation, which painfully reminded me of the fateful nineties. After the intermission, there was already absolute immersion, with my unclear attempts to get rid of the magic of the stage of the Moscow Art Theater! It is remembered in a snuffbox, Oleg Pavlovich Tabakov was sitting in the last row, on a special chair and only blinked after another portion of balm from the stage. We must go to the Tabakerka! In the summer, at the International Moscow Film Festival, I watched a terrific film (draft version) about Rudolfo Valentino Vladislav Kozlov. Producer Franco Nero asked the audience how we are? I could not formulate it then, But Rudolfo Valentino - Principipes in the primary, Latin meaning of this term and Kozlov managed to show it. In this sense, and Oleg Pavlovich Tabakov and Renata Litvinova - Princhips. We must do something about Greta Garbo in the theater, and in the movie with Renata Litvinova in the main role! For a long time I could not understand where these new names come from in the movies. Kolpakova, Andreeva, Kovaleva, Sexte, Glinka-Larina, Porechenkov, White, Dyuzhev ?! And they all do not serve - they are God in the Moscow Art Theater! Excellent, brilliant scenery in the play! Once stunned by the imaginative minimalism of the scenery in the Mayakovsky Theater! Now it's very simple, like all ingenious! I would like to see the "Steppe" in such scenery. I did not sit in the stalls for a long time, but now I sensed all his charm, but the 15th row! (The stunning makeup of Litvinova and Hermanova remained behind my freeze frame.) I will have to revise it, either from the box of the benoir, or from the fifth row of the orchestra! from the fifth row of the stalls I prefer to look at the legs of the beautiful actresses, not just their stunning eyes. "The interiors of the Theater were touched - the living classics: in photographs, walls, wooden panels, concentration on the action - without gilt stucco - the theater is public, the auditorium, the atmosphere - scrupulous listening and peering into the story! I'm waiting for a new appointment, and I wish everyone involved in the Moscow Art Theater Chekhov good health, love, happiness, joy, and using rules in all good deeds and endeavors!
“ A great performance, great actors - what else is needed to make the show work? It's a pleasure to look at Renata Litvinov and understand that Ranevskaya was exactly this one-refined, refined. Yes, she did not think about the benefits, gave the last golden passing tramp, because she could not act in a different way, this mentality. They are all there, unrequited, "speaking too much." In this, probably, in Chekhov's opinion, the comic nature of the situation, that while some are in good spirits, others do business like Lopakhin. And the scenery is just right, a wonderful game with a curtain. If everything was as usual with the decorations, it would be boring, and so it is necessary to include a little bit of fantasy and enjoy the performance of the artists.