“ A good performance, even despite some modern "surplus". I went with caution, I do not like modern interpretations of the classics, and most of the previously seen altered classical works left an unpleasant impression. In this case - almost a classic version with a few digressions. There are, of course, excesses: for example, Benedikt, for some time, eavesdropping, held on stage, completely out of place, in shorts. The authors had the idea that if he was in trousers, the meaning would be lost? :) A few vulgar jokes and gestures, alas, have already become traditional for almost all modern theaters, but for some reason causing the greatest burst of laughter. Somewhat upset that Beatrice was not played by Isakova or Ursulak, one of which I would like to see in this role, but Anna Begunova, unknown to me. But, undoubtedly, I played well! And in general, all the actors play beautifully. Thanks to them! In general, I'm happy, I recommend!
Alisa
was 16 may on Much ado about nothing
“ The whole performance was pleasant, thank you.
Anna
was 16 may on Much ado about nothing
“ I liked it - it was fun! I laughed heartily, and even though by the end of the first - the beginning of the second action "how quickly everything changed" and it became tragic, it's still a comedy after all, and I'm in a great mood for the second day. In my head sounds "I'm from Syberia // You're from Sicilia" - thanks to Yevgeny Plitkin and the band "W /"! I was pleased that the performance was played exactly by those whom Victoria Isakova and Taisia Vilkova were waiting for (if you believe the instability of Taisia, it was her first appearance in the role of Hero). Victoria is incomparable! Of the male roles most liked Anton Feoktistov, Alexander Arsentiev, Vladimir Zherebtsov and Andrei Zaviuk. And a couple of policemen-policemen Sergey Miller and Igor Teplov created a great mood! Although I knew what I was going to, at first I could not get rid of the thought "But what would Shakespeare say?", But the classics for that and the classic, that she is out of time - always relevant, and Shakespeare's play in modern times is perceived in harmony. Not even a spoon is a drop of tar. At first, the scene of Boracchio and Margaret's closeness was slightly shocked, and then Benedikt, who was quite undressed, was still embarrassed. In general, for me, there were too many besporttoshnyh men! And yes, the theater is small, and in the stalls is such a small angle of inclination that even I, being tall, and sitting in the eighth row, twisted to see better! During the intermission, they went to the reconnaissance - they decided that now there was only a mezzanine, or even a balcony! But these are minor details. The performance is wonderful - once again many thanks and bravo!
A good performance, even despite some modern "surplus". I went with caution, I do not like modern interpretations of the classics, and most of the previously seen altered classical works left an unpleasant impression. In this case - almost a classic version with a few digressions. There are, of course, excesses: for example, Benedikt, for some time, eavesdropping, held on stage, completely out of place, in shorts. The authors had the idea that if he was in trousers, the meaning would be lost? :) A few vulgar jokes and gestures, alas, have already become traditional for almost all modern theaters, but for some reason causing the greatest burst of laughter. Somewhat upset that Beatrice was not played by Isakova or Ursulak, one of which I would like to see in this role, but Anna Begunova, unknown to me. But, undoubtedly, I played well! And in general, all the actors play beautifully. Thanks to them! In general, I'm happy, I recommend!
"It is more pleasant for me to listen to my dog barking at crows than how a man swears to me in love."
The daughter of the governor of Messina, the beautiful Hero, does not believe in men. From them only troubles. But she's Italian, proud and passionate.
However, for one she made an exception. Stately Claudio came from Florence. For a long time she had not met such an ingenious young man! He is notable for military rank, he is handsome. Better not find the groom.
Only he is not interested in women. That's what his friends think.
The beauty and dignity of Hero struck him in the heart. Now he does not depart from her, he is even ready to make her an offer of an arm and a heart.
The trouble has come. The intriguers slandered Hero, she had to hide in the monastery.
Rejoice only insidious envious.
The groom considers Hero dead. Only now he realized that she was faithful to him. How could he humiliate her with his suspicions?
The comedy should end well. Lovers will reconcile and forgive their offenders.
How much better cry for joy than rejoice in tears!
“
A good performance, even despite some modern "surplus". I went with caution, I do not like modern interpretations of the classics, and most of the previously seen altered classical works left an unpleasant impression. In this case - almost a classic version with a few digressions. There are, of course, excesses: for example, Benedikt, for some time, eavesdropping, held on stage, completely out of place, in shorts. The authors had the idea that if he was in trousers, the meaning would be lost? :) A few vulgar jokes and gestures, alas, have already become traditional for almost all modern theaters, but for some reason causing the greatest burst of laughter. Somewhat upset that Beatrice was not played by Isakova or Ursulak, one of which I would like to see in this role, but Anna Begunova, unknown to me. But, undoubtedly, I played well! And in general, all the actors play beautifully. Thanks to them! In general, I'm happy, I recommend!
“
I liked it - it was fun! I laughed heartily, and even though by the end of the first - the beginning of the second action "how quickly everything changed" and it became tragic, it's still a comedy after all, and I'm in a great mood for the second day. In my head sounds "I'm from Syberia // You're from Sicilia" - thanks to Yevgeny Plitkin and the band "W /"! I was pleased that the performance was played exactly by those whom Victoria Isakova and Taisia Vilkova were waiting for (if you believe the instability of Taisia, it was her first appearance in the role of Hero). Victoria is incomparable! Of the male roles most liked Anton Feoktistov, Alexander Arsentiev, Vladimir Zherebtsov and Andrei Zaviuk. And a couple of policemen-policemen Sergey Miller and Igor Teplov created a great mood! Although I knew what I was going to, at first I could not get rid of the thought "But what would Shakespeare say?", But the classics for that and the classic, that she is out of time - always relevant, and Shakespeare's play in modern times is perceived in harmony. Not even a spoon is a drop of tar. At first, the scene of Boracchio and Margaret's closeness was slightly shocked, and then Benedikt, who was quite undressed, was still embarrassed. In general, for me, there were too many besporttoshnyh men! And yes, the theater is small, and in the stalls is such a small angle of inclination that even I, being tall, and sitting in the eighth row, twisted to see better! During the intermission, they went to the reconnaissance - they decided that now there was only a mezzanine, or even a balcony! But these are minor details. The performance is wonderful - once again many thanks and bravo!
“ A good performance, even despite some modern "surplus". I went with caution, I do not like modern interpretations of the classics, and most of the previously seen altered classical works left an unpleasant impression. In this case - almost a classic version with a few digressions. There are, of course, excesses: for example, Benedikt, for some time, eavesdropping, held on stage, completely out of place, in shorts. The authors had the idea that if he was in trousers, the meaning would be lost? :) A few vulgar jokes and gestures, alas, have already become traditional for almost all modern theaters, but for some reason causing the greatest burst of laughter. Somewhat upset that Beatrice was not played by Isakova or Ursulak, one of which I would like to see in this role, but Anna Begunova, unknown to me. But, undoubtedly, I played well! And in general, all the actors play beautifully. Thanks to them! In general, I'm happy, I recommend!
“ The whole performance was pleasant, thank you.
“ I liked it - it was fun! I laughed heartily, and even though by the end of the first - the beginning of the second action "how quickly everything changed" and it became tragic, it's still a comedy after all, and I'm in a great mood for the second day. In my head sounds "I'm from Syberia // You're from Sicilia" - thanks to Yevgeny Plitkin and the band "W /"! I was pleased that the performance was played exactly by those whom Victoria Isakova and Taisia Vilkova were waiting for (if you believe the instability of Taisia, it was her first appearance in the role of Hero). Victoria is incomparable! Of the male roles most liked Anton Feoktistov, Alexander Arsentiev, Vladimir Zherebtsov and Andrei Zaviuk. And a couple of policemen-policemen Sergey Miller and Igor Teplov created a great mood! Although I knew what I was going to, at first I could not get rid of the thought "But what would Shakespeare say?", But the classics for that and the classic, that she is out of time - always relevant, and Shakespeare's play in modern times is perceived in harmony. Not even a spoon is a drop of tar. At first, the scene of Boracchio and Margaret's closeness was slightly shocked, and then Benedikt, who was quite undressed, was still embarrassed. In general, for me, there were too many besporttoshnyh men! And yes, the theater is small, and in the stalls is such a small angle of inclination that even I, being tall, and sitting in the eighth row, twisted to see better! During the intermission, they went to the reconnaissance - they decided that now there was only a mezzanine, or even a balcony! But these are minor details. The performance is wonderful - once again many thanks and bravo!