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Irina was 31 march on Crime and Punishment

Did not like. The voice is not very much, only Marie Biork at the height. I would not recommend to my friends.

Преступление и наказание

Преступление и наказание16+

Purchased earlier: 458
Location:
127006, Москва, Пушкинская пл., 2
Duration:
02 h 00 min
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Story

March 17, 2016 in the Moscow Theater of the musical held one of the most iconic premiere of the theatrical season - a musical play "Crime and Punishment". The premiere is dedicated to the 150th anniversary of the publication of the novel by Fyodor Dostoyevsky.


Brilliant music by Eduard Artemiev, according to him, "about man and for man in the cosmic, deep understanding of his earthly existence", created more than 35 years ago, found its embodiment in a psychologically verified and graphically accurate drawing of the world-famous director, stage director Andrei Konchalovsky. The creative tandem Artemyev - Konchalovsky and the author of the libretto poet Yuri Ryashentsev have repeatedly tried to implement this production in different theaters of the world, their staging ideas attracted great attention, but were not embodied on the stage. "This is an incredibly difficult task. Dostoevsky, like no other Russian classic, gives cause for modern musical expression, "Yury Ryashentsev believes.


The premiere of the play Crime and Punishment at the Moscow Theater of the Musical is the result of more than 35 years of creative search for the creators of the play.


"It will be a tough performance about the price of life and the victorious power of love. Love for both God and man to man, "says the artistic director of the Moscow Musical Theater Mikhail Shvydkoi.

The all-Russian casting revealed new stars of the Russian musical, which have unique voices and phenomenal plasticity. "A complex philosophical material that requires a colossal performing talent. The task was very difficult, - Konchalovsky admits, - because you can not make a mistake, it will be difficult to hide the lack of talent - acting, musical, choreographic. This requires colossal professionalism from the performers. " Four performers are involved in the rehearsals: the role of Sonechka was given to Theone Dolnikova, Ekaterina Novoselova, Raskolnikov - Stanislav Belyaev, Denis Kotelnikov, Svidrigailov - Alexei Kolgan, Porfiry Petrovich - Efim Shifrin. In total more than 60 artists participate in the production. The choreographic drawing is embodied by the outstanding choreographer Yuri Posokhov, who collaborates with well-known ballet troupes.


Decorations based on the sketches of the recognized master of scenography Matt Dilli are made in England in the same studio that produced scenery for the movie "Harry Potter". Famous Russian theater artist Tamara Ashba is engaged in costumes.

One of the main difficulties faced by the directors was the need to adapt the classic and content voluminous novel to the format of a musical performance.


"We had to give up a lot of what was in the novel. Especially from the stunning descriptions of St. Petersburg, - says Andrey Konchalovsky, - and at the same time we did not refuse anything. At one time, Dostoevsky said that you can do anything, the main thing is to keep the spirit of his novel. This was our task.

In the play, it is supposed to use the most up-to-date technologies - 6D-video mapping - that allow to project images onto any moving object. A special tracking system tracks the position of moving scenes or twirling scenery using cameras and sensors and broadcasts the received data on their shape and configuration to the video-mapping system. The latter in real time processes the content so that the projection on the scenery is displayed taking into account their location and dynamic rotation. A total of 12 projectors will be used on the stage. Until now, this technology has been used only by foreign directors and brought world fame to such shows as the concerts of Madonna and the performances of Cirque du Soleil.


"This breakthrough innovative solution will expand the space of the performance, giving it multidimensionality and dynamics, and the artist will arm unlimited improvisational possibilities of visual transformation of the scene," Igor Isheev, Technical Director of Polimedia, is sure.

- The performance, which is waiting for its 35-year-old incarnation, must be worthy, like a precious wine, - the general producer of the Moscow Theater of the Musical David Smelyansky is sure.

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Review

Well, who does not remember from the school bench this "appreciate the act of Raskolnikov," "whether he had the right or not," "what do these thoughts lead to" ... Well, and so on.

But in fact the truth, to what?

Someone makes them think about the problems of being, and someone is encouraged to write an amazing libretto for the real rock opera.

Then there are those who create a musical masterpiece, those who embody on the stage are not such simple images, revealing new facets of the characters. And now - the masterpiece is ready.

But what is a masterpiece without decorations and unique technologies? In this age, when art and technology are intertwined together, creating an even more authentic world - it would seem impossible to surprise, but some still risk to try.

So, our heroes: music - Eduard Artemyev, libretto, idea and staging - Andrey Konchalovsky, art director - Matt Diili (Great Britain), costume designer - Tamara Ashba.

However, of course, this is not all who worked to create this amazing work, and the more interesting it is to come and see what happened to them in the end!

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Irina was 31 march

Did not like. The voice is not very much, only Marie Biork at the height. I would not recommend to my friends.

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